The Glickman/Popkin Bassoon Camp is a ten-day summer camp for bassoonists 18 years of age and above, of any skill level.
I’m looking forward to participating again this year at the camp. Last year, because of Covid-19, everything unfortunately had to be cancelled. It could still be cancelled but we are assuming that things are good to go. It’s going to be an exciting summer filled with lots of ideas and exchanges with bassoonists all over the United States & Canada.
A Beautiful Environment Settled Among the Blue Ridge Mountains at the Wildacres Retreat
Because this camp is for all levels, it’s a really great environment with little pressure. There are beautiful views of the Blue Ridge mountains. Not only are there bassoon master classes but there are also reed making instruction classes and multiple performances every night with guest artists & large ensembles.
This exercise is an excellent way to develop rapid technique in the low register. I would suggest slurring everything. Slur everything and after you have fluidity in that approach then vary your articulations to add another layer of challenge.
This warmup I started on when I was 11 years old and I use it every morning. This is how I start warming up! The reason why I use this is that it condenses all of the scales within a short period of time while shifting chromatically one octave at a time allowing me to work on fluidity and changing keys rapidly.
This warmup I started on when I was 11 years old and I use it every morning. This is how I start warming up! The reason why I use this is because it condenses all of the scales within a short period of time while shiftly chromatically one octave at a time allowing me to work on fluidity and changing keys rapidly.
The document is in major scales but this can also be even more challenging by alternating between major and minor. This allows the musician an opportunity to not only work on the mechanics of playing the instrument but it also gives you a mental challenge so you are never playing “by rote” (playing without thinking). If you know your scales, this is no problem.
There are different levels you can take this exercise to. I like to apply this to my students depending on their level of study. We often do this in group sessions in a circle. Every student of mine will play alternating scales and we keep a circle going. It’s actually very fun!
This is a technical exercise for bassoon that emphasizes the lower register.
It’s a really great exercise to develop 2nd bassoon playing in an orchestra. There is a lot of left thumb work and this pattern can go all the way up to the highest register as well. You are executing this pattern using all of the keys.