This warmup I started on when I was 11 years old and I use it every morning. This is how I start warming up! The reason why I use this is that it condenses all of the scales within a short period of time while shifting chromatically one octave at a time allowing me to work on fluidity and changing keys rapidly.
This warmup I started on when I was 11 years old and I use it every morning. This is how I start warming up! The reason why I use this is because it condenses all of the scales within a short period of time while shiftly chromatically one octave at a time allowing me to work on fluidity and changing keys rapidly.
The document is in major scales but this can also be even more challenging by alternating between major and minor. This allows the musician an opportunity to not only work on the mechanics of playing the instrument but it also gives you a mental challenge so you are never playing “by rote” (playing without thinking). If you know your scales, this is no problem.
There are different levels you can take this exercise to. I like to apply this to my students depending on their level of study. We often do this in group sessions in a circle. Every student of mine will play alternating scales and we keep a circle going. It’s actually very fun!
I am pleased to announce that my proposal for a new concerto premiere for Bassoon & Strings will be performed in the evening on July 15th at the International Double Reed Society Conference. Visit the IDRS 2019 Conference website for more information!
The 2nd of two electronic tracks featuring bassoonist Kathleen Mclean will be released by CDBaby this month. It’s a collection of interesting tracks that are a mixture of folk, rock, classical contemporary jazz. It’s an eclectic mix of electro pop.
After two weeks spent in Puerto Rico, The International Chamber Orchestra of Puerto Rico (ICOPR) completed 8 concerts, several master classes, and reached out to many students, young children, and adults with disabilities.
The local community we visited appeared fascinated because they had never seen classical music instruments before. At rehearsal breaks the children would be paraded around the orchestra to look at our instruments. It was funny and it was almost as if we were, “animals in a zoo”. They were delighted and in many cases the students came up and touched the instruments. It was sweet!
We also had a chance to see the developments after Hurricane Maria. The people were so kind and warm. We heard stories of people without phone and electricity for seven months! Some people had to sleep in their cars at night. The only thing they had was a car and gas. No phone and no computer for that long! (Maybe that would be good?) The gift of music to the Puerto Rico community was really appreciated.
Throughout the weeks the principal players of the orchestra were giving master classes to the young aspiring musicians of Puerto Rico at each city we performed in.
On the odd off day, we visited beaches throughout the territory of Puerto Rico. There was a gorgeous surfing resort town called Rincón where we saw some super interesting waves. Some of us rented paddle boards, enjoyed the beach, and enjoyed the local dives. The visit inspired me to think I may want to move here for part of the year.
The NYO Canada residency will begin on June 18th and will finish in mid-July. As in previous years, our Summer Institute will take place at Wilfrid Laurier University.
For more than fifty years, NYO Canada has enjoyed an iconic reputation as Canada’s orchestral finishing school, providing the most comprehensive and in-depth training program available to our country’s best young classical musicians.
Repertoire Brahms: Rhapsody in G Minor for piano solo, Op. 79 No. 2 (1879) Chiel Meijering: Follow the whisper, Part 4. twists and turns for bassoon and piano (2018, premiere) Chiel Meijering: Humble Mumble (2012/18)* Chiel Meijering: Winds of Change (1987/18)* Prokofiev: Sonata No. 3 in A Minor for piano solo, Op. 28 (1907/17) Chiel Meijering: Fading Memories (2015/18)* Chiel Meijering: When the Soul Dies (2015/18)* Gershwin: Three Preludes for piano solo (1926)*
*Premiere of revised version for bassoon and piano
Listen to recordings from this performance:
Chiel Meijering: Follow the whisper, Part 4. twists and turns for bassoon and piano (2018, premiere)